Astronomers harnessing the combined power of NASA's Hubble and Spitzer space telescopes have found the faintest object ever seen in the early universe. It existed about 400 million years after the big bang, 13.8 billion years ago.

The team has nicknamed the object Tayna, which means "first-born" in Aymara, a language spoken in the Andes and Altiplano regions of South America.

Though Hubble and Spitzer have detected other galaxies that are record-breakers for distance, this object represents a smaller, fainter class of newly forming galaxies that until now had largely evaded detection. These very dim objects may be more representative of the early universe, and offer new insight on the formation and evolution of the first galaxies.

Industrial-scale batteries, known as flow batteries, could one day usher in widespread use of renewable energy—but only if the devices can store large amounts of energy cheaply and feed it to the grid when the sun isn’t shining and the winds are calm. That’s something conventional flow batteries can’t do. Now, researchers report that they’ve created a novel type of flow battery that uses lithium ion technology—the sort used to power laptops—to store about 10 times as much energy as the most common flow batteries on the market. With a few improvements, the new batteries could make a major impact on the way we store and deliver energy.

Computer simulations have allowed scientists to work out how a puzzling 555-million-year-old organism with no known modern relatives fed, revealing that some of the first large, complex organisms on Earth formed ecosystems that were much more complex than previously thought.

The international team of researchers from Canada, the UK and the USA, including Dr Imran Rahman from the University of Bristol, studied fossils of an extinct organism called Tribrachidium, which lived in the oceans some 555 million years ago.  Using a computer modelling approach called computational fluid dynamics, they were able to show that Tribrachidium fed by collecting particles suspended in water.  This is called suspension feeding and it had not previously been documented in organisms from this period of time.

Mars is blanketed by a thin, mostly carbon dioxide atmosphere -- one that is far too thin to keep water from freezing or quickly evaporating. However, geological evidence has led scientists to conclude that ancient Mars was once a warmer, wetter place than it is today. To produce a more temperate climate, several researchers have suggested that the planet was once shrouded in a much thicker carbon dioxide atmosphere. For decades that left the question, "Where did all the carbon go?"

The solar wind stripped away much of Mars' ancient atmosphere and is still removing tons of it every day. But scientists have been puzzled by why they haven't found more carbon -- in the form of carbonate -- captured into Martian rocks. They have also sought to explain the ratio of heavier and lighter carbons in the modern Martian atmosphere.

The intensity of Earth’s geomagnetic field has been dropping for the past 200 years, at a rate that some scientists suspect may cause the field to bottom out in 2,000 years, temporarily leaving the planet unprotected against damaging charged particles from the sun. This drop in intensity is associated with periodic geomagnetic field reversals, in which the Earth’s North and South magnetic poles flip polarity, and it could last for several thousand years before returning to a stable, shielding intensity.

With a weakened geomagnetic field, increased solar radiation might damage electronics — from individual pacemakers to entire power grids — and could induce genetic mutations. A reversal may also affect the navigation of animals that use Earth’s magnetic field as an internal compass.

Joe Davis is an artist who works not only with paints or pastels, but also with genes and bacteria. In 1986, he collaborated with geneticist Dan Boyd to encode a symbol for life and femininity into an E. coli bacterium. The piece, called Microvenus, was the first artwork to use the tools and techniques of molecular biology. Since then, bioart has become one of several contemporary art forms (including reclamation art and nanoart) that apply scientific methods and technology to explore living systems as artistic subjects. A review of the field, published November 23, can be found in Trends in Biotechnology.

Bioart ranges from bacterial manipulation to glowing rabbits, cellular sculptures, and--in the case of Australian-British artist Nina Sellars--documentation of an ear prosthetic that was implanted onto fellow artist Stelarc's arm. In the pursuit of creating art, practitioners have generated tools and techniques that have aided researchers, while sometimes crossing into controversy, such as by releasing invasive species into the environment, blurring the lines between art and modern biology, raising philosophical, societal, and environmental issues that challenge scientific thinking.

Sooner than it takes to build a nuclear power station, lithium-air batteries could be helping wind and solar to make coal, oil and nuclear obsolete, say Cambridge scientists. Five times lighter and five times cheaper than current lithium batteries, Li-air would open the way to our 100% renewable future.

It’s the trick question that has left many of us stumped: from the earliest stages of manufacture to the years driving on the road until they are sent to the junkyard, are conventional automobiles or electric cars cleaner for the environment? While acknowledging that electric vehicles (EVs) emit no emissions when running on our streets and highways, many have assumed that those pesky rare earth metals in their massive batteries and the emissions associated with producing the power canceled out any environmental benefits that their drivers enjoyed. According to the Union of Concerned Scientists (UCS), a two-year study has provided the answer.

Even the most accomplished naturalist can find it difficult to tell one species of plant from another or accurately decide which genus a small insect belongs to. So when a new specimen arrives at a museum, finding the right name from existing records can sometimes prove difficult. In turn, that can lead to specimens being given the wrong name – which can prove problematic for biologists.

Indeed, museum collections are fascinating. Many of us probably still gawk at stuffed collections of extant and extinct birds, beetles, vibrantly-colored butterflies, and other animals that fill up glass cases and exhibition halls. Many of these collections were borne out of expeditions to remote parts of the world; treks that involved trapping, killing, preserving and cataloging animals that explorers encountered. Many of these collections have been useful in shaping what we know of the natural world. However, species conservation or scientific advancement was not always the goal of animal-collection. Often, it was done simply to suit the aesthetic whims of society’s elite.